He is facially disfigured and wears a mask but much of the plotting in the second half involves he and the equivalent of Christine engaged in an elaborate scam Thus Phantom has now been contorted into not a romance but an elaborate revenge scheme that has almost nothing to do with the original story.
“The Phantom is a relatively peripheral character.
Recommended for fans of tragic gothic romance and 1930s style…” J.B. In 1870, a disfigured recluse roams beneath a Parisian opera house and takes under his wing a. With its nostalgic heart and little on-screen violence to speak of, it would be an appropriate Halloween selection to view with older parents (but the scenes establishing the acrobats’ fate might be too intense for young children). Play trailer 1:01 1 Video 99+ Photos Drama Music Musical A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protge whom he trains and loves. “Loaded with spooky trappings, Phantom looks great. The Phantom of the Opera - Trailer 2 (Kontiki) The beloved musical about doomed romance returns to the screen in a vibrant retelling. The film does actually have quite a high body count, and Yip packs in plenty of thrills and ghoulish action, keeping things moving along briskly, if chaotically.” Eastern Kicks Though she is enthralled by her charismatic mentor, Christine is undeniably drawn to the dashing Raoul, enraging the Phantom and setting the stage for a dramatic crescendo in which soaring passions, fierce jealousies and obsessive love threaten to drive the fated lovers past the point of no return.” …more of a romantic mystery with nods to The Phantom of the Opera, Jing Gang Shan’s scarred, cloaked villain lurking around and making use of chandeliers, secret passages and the like. But he is not the only powerful man to be awed by the young soprano, as Christine soon finds herself courted by the theatre's wealthy patron, the Vicompte Raoul de Chagny (Patrick Wilson). Her mesmerizing opening night performance captivates both the audience and the Phantom, who devotes himself to casting his protégé as the opera's next star. When temperamental diva La Carlotta ( Minnie Driver) walks out in the middle of a dress rehearsal for the company's latest production, the theatre's eager new managers ( Simon Callow, Ciarán Hinds) have no choice but to thrust Christine into the spotlight. Only ballet mistress Madame Giry ( Miranda Richardson) knows that Christine's mysterious "Angel of Music" is actually the Phantom ( Gerard Butler), a disfigured musical genius who haunts the catacombs of the theatre, terrifying the ensemble of artists who live and work there. His voice calls to her, nurturing her extraordinary talents from the shadows of the opera house where innocent chorus girl Christine Daae ( Emmy Rossum) makes her home.
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